Released Jul 7, 2023
THE REDDEST ONE
The collection is an exploration of the iconic Little Red Riding Hood story through the lens of contemporary art. Each work in this collection defies narrative and visual limits, offering new perspectives on the characters and symbolic elements of the story.
Through this reinterpretation, the collection invites us to question and explore the universal themes present in the original story. The duality between innocence and danger, power, bravery and cunning.
AIRDROP
If you buy the complete collection (2 pieces) you will receive a third piece for free "The other is another"; this piece is in MP4 format. If you purchase multiple sets of all two pieces, note that you will only be able to claim a third free piece as the limit is one free piece per account. The airdrop will be sent to the collector's Niftygateway account on the day the drop closes (July 12, 2023).
ABOUT THE ARTIST
Caperucita la más roja
Alejandra Alarcón or Little Red Riding Hood (Little Red Riding Hood) is a visual artist and sociologist, she works in watercolor, video, animation and photography. Her work revolves around a concern for feminine identity, her work delves into the limit, in which identity is a constant negotiation with the other, in which "being" is not something given and immovable but something changing. She is interested in the ntermediate zones, where contradiction can inhabit, the middle ground between subjects, gender, situations, roles, archetypes, etc. For several years he has worked with the symbolic content of fairy tales, deconstructing their meaning and creating a new iconography. Throughout his career he has made several series that have been exhibited at fairs, museums and galleries around the world.
Estrujamentes
Digital artist, writer and illustrator and psychologist. Through Estrujamentes, María Páramo gives rise to a visual and poetic device of mental transgression, one which creates and recreates fields of experimentation to bring people closer to systems of thought deemed alternative to traditional ones. Her aim is to provoke meaning without the need for rationalization. As a digital artist she has integrated her technical-poetic works into her visual ones, creating images and texts in unison with one another. She chooses digital collage as a painting technique, and reflective writing as an opportunity for subjectification and resistance to a predominantly rational world. Her aesthetics is one of reflective gestures: at the same time cryptic, cosmic and metaphysical.
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